μ λ SULLAE ruptures compositions of language, power, and legibility by looking to the Moon as a conceptual site; addressing it not only as a poetic metaphor but also as a colonial site. Chun interweaves moving images of a precolonial Korean womenβs Moon dance, gang gang sullae (κ°κ°μ λ) with fragmented consonants of the English language, Hangeul (νκΈ) and English text, various index pages from intonation books, white noise, and word-censor bleep. The video oscillates between the sonic, visual, and semiotic; undoing the English language, its embodied violence and dominance through abstraction and mistranslation β a process the artist describes as unlanguaging. Chun highlights the way in which this dance was historically used as a means for collectively unleashing silenced anger: releasing through song, bellowing, yelling, and circling under the Moon.